interface || interference
experience filtered by smartfones
The Carrack Modern Art
The smartphone is ubiquitous in our culture. And anything that changes us the way our smartphones have, and continue to do, demands artistic attention and exposition.
The artwork selected for this show explores our relationships with our smartphones… and our relationships with other humans, when the smartphone acts as our interface or interference with them. We are exposing the smartphone’s role in our experience of intimacy, perception, emptiness, comfort, vanity, connection and disconnection, whether positive or negative.
And from this point forward we wonder, how will life with smartphones be different in a year? or two?
Before, during and after the show, we strongly encourage everyone—artists, participants, observers—to help document their experience with our show using the hashtag #INTERFF. Post a photo of someone hugging Jing Niu’s plush iPhone, retweet the truths or lies you tell to Fernanda Duarte, physically tag yourself by wearing an #INTERFF button, post a Vine of Eric Raddatz in the process of creating a new piece for his #selfies series. All of the media generated by this show, using #INTERFF, will be incorporated into a future piece for the next Smartphone Art Show.
Featuring work by: Aaron Kutnick, Ali Halperin, Carlos Alberto Torres, Chance Murray, Eric Juth, Eric Raddatz, Fernanda Duarte, Ginnie Hench, Heather Gordon & Sydney Brown, James Fatata, Jim Adams, Jing Niu, Libby Lynn, Matt Zigler, Parasol B, Saba Barnard, Sarah Goetz, Tiny Zombie
During this exhibit The Carrack is open Tuesday-Friday 12pm-5pm and Saturday 2pm-5pm, in addition to the dates and times for special events listed above.
How to Fold My Heart: Three Mothers, Daughters & Wives
Location: ArtSpace, Raleigh, NC
RALEIGH, N.C. – Artspace, a non-profit visual art center in downtown Raleigh, will exhibit in its Lobby Gallery How to Fold My Heart: Three Mothers, Daughters, and Wives featuring artwork by Artspace Artists Association member Heather Gordon.
Gordon, who became an Artspace member in 2013, writes of her new series:
In searching for an answer to these questions, Gordon combines theories of geometric folding patterns, geographic locations, and personal history to create a method for making origami crease diagrams. The diagrams provide visual suggestions to the artist’s questions.
The works comprising Three Mothers, Daughters, and Wives spring from her series, How to Fold My Heart. Using the birthplaces and residence locations for Gordon’s grandmother, Sue Bergemeyer, and her daughters, Jackye Brooks and Elizabeth Gordon (the artist’s mother), she created a small set of spatially related data used as a springboard to create the final diagrammatic works. As a new parent, Gordon invites us to meditate on our own shifting, contextual identities, as she considers her new role as mother.
Using a program called TreeMaker developed by Robert Lang in cooperation with Professor Erik Demaine and Martin L. Demaine at the Massachusetts Institute of Technology in Cambridge, MA, Gordon uses the geographic locations of her loved ones to create a connected “tree.” She allows the program to mathematically optimize a crease pattern to create a folded origami shape. This pattern can be manipulated while keeping the relational distances intact to generate variations in the resulting shape. The flexibility enables the artist to create a series with a unified appearance and intriguing distinctions.
Born in 1967, Heather Gordon received her B.F.A. from the University of Florida in 1990 and her M.F.A. from New Mexico State University in 1995. She has taught painting, drawing, design, and art appreciation courses in numerous locations from 1992 to1999, and has given lectures about her work at SAS, Cassilhaus, the Ackland Art Museum, and Greenhill. Gordon regularly exhibits locally and nationally.
Gordon relocated to Durham, N.C. in 2009 where she pursues her interests in art and design. She is currently the artist liaison at Golden Belt where she keeps her studio and works to coordinate events, foster public awareness, and facilitate professional development for the 40 plus artists in her group.
Image Information: Heather Gordon, How to Fold My Heart: Jackye Brooks, 60” x 48”, oil on canvas.
New Works in Language, Text, & Wordplay
Featuring a solo performance by violinist-vocalist Dina Maccabee and CREATIVE STATION, free all-ages art activities in our Studio 2 Classroom
Exhibition Dates: July 10-27, 2013
Root Division presents Character Profile, a group exhibition featuring projects that explore intersections between the forms, mechanisms and meanings of language. Featuring a group of twenty-six artists including visual artists, writers, and craftspeople, Character Profile investigates novel functions of language through collaboration and a broad range of materials, media and approaches.
The artists in Character Profile present language as both a medium and a subject, and deftly maneuver words to both convey and critique meaning. Many works are interactive and dedicated to a spirit of engagement and play. The exhibition highlights art designed for direct interaction with visitors and work that provokes expanded meanings and alternative associations
New work titled “lynnGordon” from the How To Fold My Heart series. Ink on handmade paper, 16″ x 12.5″